ronnie james dio
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For someone who always seemed to be just off to the side of the biggest stages in rock, the late Ronnie James Dio certainly inspired a lot of affection. He's best known, perhaps, for working alongside musicians much better known than him, and usually when those musicians appeared to have passed the peak of their own success. So he joined Ritchie Blackmore in Rainbow after Blackmore had departed Deep Purple. After three albums with Rainbow he replaced Ozzy Osborne in Black Sabbath, staying with them for two studio records before heading off to front his own band, Dio. In recent years there had been a reunion with Sabbath, under the name Heaven and Hell to avoid confusion with the Osborne-fronted Sabbath that was also touring.
So far, so upper-to-middling a rock career. But Dio was more than just a travelling vocal troubleshooter to heavy rock fans. For a start, he had one of the definitive hard rock voices, a rich baritone that could rise through the octaves. He didn't blur or spit his words, so you could hear everything he sang, which was crucial to his appeal. Dio perfected what many people see as the template of hard rock lyricism – swords, sorcery, wizards in towers, men on silver mountains, kings to be killed. It wasn't subtle, but Dio communicated as clearly with fans who read Stephen R Donaldson and Frank Herbert epics as Morrissey did with those who were watching kitchen sink dramas. It made him easy to parody – our band at school, 25 years ago, had a song that began: “In a mystical time/ before reason and rhyme/ When the blood stained the axe and the fire,” which was the result of too much time spent listening to the first Dio album, Holy Diver. Jack's Black Tenacious D acknowledged the same feelings – a mixture of mockery, affection and slightly ashamed admiration – 20 years later, with a song called, simply, Dio.
So there's the voice, the lyrics, but there's something else, too, that places Dio in an exalted position in the great throne room of metal: his use of his index and fourth fingers. It was Dio who brought to hard rock the devil's horns, the international symbol of all thing's rockular, understood throughout the world and across generations. The sign of the devil's horns is a physical Esperanto more easily understood than any other gesture save, perhaps, the raised middle finger. To have brought that to the world is one of those ludicrous but endearing and enduring achievements that only metal can really manage.
If it sounds like I'm having a laugh at Dio's expense, I'm not. Because above and beyond those things, Dio sang on some extraordinary and unforgettable songs. Stargazer, by Rainbow, is for my money better than Led Zeppelin's Kashmir, a great song itself but overshadowed by the preposterousness of Dio and Blackmore's vision. His presence reinvigorated Black Sabbath into producing their best work in years – the likes of Heaven and Hell, Neon Knights and The Mob Rules stand as equal to anything from the Ozzy years.
I never saw Dio perform live and, now he has died of stomach cancer at 67, I never will. With a whole generation of rock stars from my youth now entering old age, metal is going to have get used to its heroes passing not in plane crashes, or from the effects of partying, or in other rock'n'roll ways. They are going to die of the things that kill ordinary people, a reminder that the swords and sorcery are not real, and that beneath the leather and the hair lurk real people who have sometimes, like Dio, done remarkable things.
Rockers Kiss took a moment to “remember” late heavy metal legend Ronnie James Dio during a concert in Geneva, Switzerland on Monday, leading fans in a 30-second chant of the singer's name.
Frontman Paul Stanley halted the show to pay his respects, and told fans, “Let's remember to remember him. Let's make sure he can hear us up there.” Stanley then led the chant, “Ronnie, Ronnie…” before adding, “We love ya, we'll miss ya.”
Prior to the show, Kiss had issued a statement about Dio's passing on Sunday. The band mates declared, “We mourn the tragic passing of the great Ronnie James Dio. In addition to his powerhouse vocal ability, Ronnie was a true gentleman who always emanated great warmth and friendship to us and everyone around him. We will miss him.”
Further tributes poured in for the Dio, Rainbow and Heaven & Hell star from rock's elite on Tuesday – former Iron Maiden star Blaze Bailey called the late rocker “the inspiration for me to start singing and join a metal band” and Deep Purple rocker Jon Lord claimed Dio's voice was a “an instrument of power and of beauty”, and suggested he was “a seminal influence in rock music”.
Meanwhile, ex-Nirvana bassist Krist Novoselic has written a tribute to Dio in his weekly column for SeattleWeekly.com. The rocker called the tragic star “a giant in the world of heavy metal” and admitted to playing his Black Sabbath hit Heaven & Hell on Sunday night after hearing Dio had lost his battle with cancer.
However, perhaps the most touching tribute of the day came from the late star's Heaven & Hell band mate Vinny Appice, who posted an open letter on his website.
The heartfelt note began, “Hey, Ron, I never thought the day would come so suddenly. Ronnie was everything to me. He was my best friend, he was my brother. I sat behind him on my drums each night and played, watching him sing, hearing his roaring voice through my monitors. Every night he sent chills down my spine with his singing, inspiring me to push it further and play the best I can to the limit. I always knew how lucky I was to be in a band with him, but to become friends was even more special.”
Appice added, “My heart is so broken. We are now in a world without him and I will miss him so much. I can only think of how fortunate I was to make music with him that was in his heart.”